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Showing posts with label Screamadelica. Show all posts
Showing posts with label Screamadelica. Show all posts

Wednesday, January 27, 2010

Genesis To Everlasting





















FROM GENESIS TO EVERLASTING
Musical Milestones
1963-?????


Genesis, 1963: Jackie DeShannon, Needles And Pins & When You Walk In The Room- the greatest vocal performances ever put to tape and the most heartbreaking and timeless songs ever written.

Hollywood, 1966: Jack Nitzsche and Judy Henske find the end of the world and its breaking point with Road to Nowhere and Dolphins In The Sea.

Memphis, 1968: Dusty went to Memphis and never came back.. at least not until Reputation.

London, 1968: Mick Jagger records Memo From Turner and the world has never been the same since.

Deep In The Void, 1969: On Illuminations, Buffy Sainte-Marie loses her voice to synthesizers, black magic, and that endless echo.

Woodstock, 1969: John & Beverly Martyn went down to Woodstock to play with The Band when Stormbringer was born.

West Berlin, 1976-1978: Bowie, Eno, and Iggy Pop turn up in nighttime streets to face the truth in trilogy form.

Muscle Shoals, 1978: Fuck electric, Dylan found evangelism and rhythm.

Burbank, 1981: Lindsey Buckingham catches a midwinter wave and comes up with Trouble.

Nassau, 1982: On Avalon, Roxy Music discovered true romance, worlds away, and the eternal chill.

London, 1990: With Screamadelica, Primal Scream turned Madchester into a rave- timeless, unforgettable, and a stone-cold classic.

New Orleans, 1995: On Wrecking Ball, Emmylou Harris finally goes cosmic.

Brooklyn, 1996: Foxy Brown. Ill Na Na. Married to The Firm.

Nashville, 1996: The ultimate perfectionist, Lucinda Williams scraps everything and starts all over again. Car Wheels On A Gravel Road is as close to perfect as they come.

Cassadaga, 1997: Deserter's Songs. Mercury Rev go back to Woodstock and return with the new old Americana- catskill mansions, all those endless ends, ghost trains out of town.. wavin' goodbye, not sayin' hello.

Malibu, 1998: Courtney Love finds Hollywood glamor, palm trees on fire, new beginnings, Echo & The Bunnymen, Stevie Nicks, and the salvation of a three-minute AM pop song.

Berlin, 2001: Annette Krebs turns inward, becomes a blank sheet of white paper, and leaves the rest of the world behind for Guitar Solo.

Chicago, 2003: Electrelane, The Power Out- forever trapped in the Tower of Babel.

Austin, 2003: Charalambides battle inner demons, end times, and waves of pedal steel to finish Joy Shapes on a terrifying and unforgettable lost evening.

Los Angeles, 2005: Goodbye Nashville- Lubbock or leave it, the Dixie Chicks go punk.

New York City, 2005: Beth Orton rounds up a brand new band- Jim O'Rourke and Tim Barnes for the devastating Comfort Of Strangers.

Reykjavik, 2006: Björk saves nothing but the human voice for Medúlla.

Dorset, 2006: PJ Harvey in grief, in death, in White Chalk hills that rot her bones.

Paris, 2006: Jarvis, Charlotte, and Air: 5:55 during the day, Darkel at night.

The Everlasting, 2009: Charlotte finds her eternal darkness in L.A. and leaves nothing but IRM behind.

Friday, January 8, 2010

Undercover




















UNDERCOVER


The right album cover is essential. It's often what draws us in or makes us pay attention to something we've never heard before. It provides the images that can summarize the meaning and the tone, the very heart, of the music's story. Can you imagine Avalon by Roxy Music without the cover? The Runaways without the photos? One of the all-time great covers was the first album by the The Durutti Column, which was made of sandpaper in order to scratch whatever record sleeves where next to it. Another great concept was Public Image Ltd.'s Metal Box which was packaged in a metal film canister. Christina Carter's releases on her own Many Breaths Press are all handmade and often come with pages of books, watercolor paintings, tissue paper, and even shreds of her diary in them. There is a long history of artists who have done significant work with album covers, among them: Robert Mapplethorpe, Andy Warhol, Mati Klarwein, Richard Avedon, and Annie Leibovitz, just to name a few. Several artists often work extensively for certain labels or artists. These are the best in the business:

Kim Hiorthøy for Rune Grammofon/Smalltown Supersound
Maya Miller for Heavy Tapes

Dennis Tyfus for Ultra Eczema

Peter Saville for Factory Records

The Designers Republic for Warp

Jon Wozencroft for Touch

Julian House for Ghost Box

Klas Augustsson for Häpna

Hedi Slimane for Phoenix, Gaga, etc

23 Envelope for 4AD

Now on to the covers. Two of the album covers closest to my heart are the Peter Hujar photos of Candy Darling on her deathbed as used by Antony & The Johnsons. For some reason, I just didn't feel right adding them to my list. These 22 images are everything that a great cover should be - iconic, bewildering, mystifying, and not easily forgotten.